Children and how they came into fashion on printed textiles between 1770 and 1840

Children and how they came into fashion on printed textiles between 1770 and 1840
by Aziza Gril-Mariotte
International Journal of Fashion Studies, Issue 2.2 (2015)
Keywords
decorative arts,interior design,textiles,fashion,pattern,childhood

Abstract
In the eighteenth century, education rather than childhood became a real challenge for the philosophers. The making of the ‘new man’ now came by way of childhood, at a time when the child is seen as an entirely separate being and an adult-to-be. The feeling of childhood, to recall the words of Philippe Ariés, is reflected in the printed textile. At the end of the eighteenth century, these representations evolved into the placing of the child at the centre of the family, reflecting the arrival of a middle-class society in which the child’s education became a real focus. Between the second half of the eighteenth and first half of the nineteenth centuries, the presentation of childhood was changing, the fabric makers following the taste and motifs spread by the print process. Starting with the biggest French manufacturers between 1770 and 1840, we will see how the idea of childhood was spread via the fabrics designed to persuade the biggest number of buyers to choose them for their interiors. And we will see how, in the nineteenth century, these designs promoted a real dialogue centred on the child.

READ THE FULL PAPER IN THE ORIGINAL LANGUAGE (FRENCH):

La mode des enfants, du nouveau-né à l’écolier, l’émergence de la figure enfantine dans le textile imprimé (1770-1840)

The English version is available in the hardcopy edition of issue 2.2 and online:

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About Marco Pedroni

Ph.D. in Sociology and social research methodology. I am a Researcher in the Sociology of Culture at the Università e-Campus (Italy), Faculty of Psychology. I got the National Scientific Qualification as Associate Professor (disciplinary area: Sociology of culture and communication). Formerly I was a Research Fellow and an Adjunct Professor of Sociology of Culture at the University of Bergamo, an Adjunct Professor of Communication Theory and Sociology at the Politecnico of Milan, and a Post-doctoral Research Fellow in the Sociology of Culture at the Università Cattolica of Milan, where I am a collaborator of the Centre for the Study of Fashion and Cultural Production (ModaCult). I am currently working on the role of identity and storytelling in the social media, on the themes of sharing and the collaborative economy, and on the cultural industries such as fashion and gambling. I've taught as a Guest Lecturer for several courses and institutions, including the London College of Fashion, the Milano Fashion Institute, the Marangoni Institute, the Universidad of Sevilla, the Izmir University of Economics, and the Winchester School of Art. I am the Editorial Assistant of the International Journal of Fashion Studies published by Intellect Books. I am the author of Coolhunting (2010) and a co-editor of Moda e arte (Fashion and Art, 2012). My most recent book is From Production to Consumption: The Cultural Industry of Fashion (Interdisciplinary, 2013). The full list of my scientific articles is available on my Academia.edu profile.

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